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Excursus

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Clicca per aprire la galleria!

foto di Marco Cascianelli

Home arrow Produzioni arrow Folža


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Folža


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da un’idea di Ricky Bonavita e Riccardo Marini,
produzione realizzata in collaborazione con il Festival Barocco di Viterbo 2003

 

Progetto artistico: Ricky Bonavita e Theodor Rawyler

Coreografia e regia: Ricky Bonavita

Consulenza musicale: Riccardo Marini, direttore artistico Festival Barocco

Musiche: Johann Sebastian Bach, Arcangelo Corelli, Sébastien de Brossard, Antonio Vivaldi

Disegno luci: Danila Blasi

Allestimento scenografico: Antonella Bonavita

Costumi Marco Carrara

Interpreti: Roberta Bassani, Monica Lavezzari, Sara Rossi, Daniele Amenta, Ricky Bonavita, Theodor Rawyler, Giovanni Scura


L’idea per questa produzione è nata dal desiderio di una possibile collaborazione tra la Compagnia Excursus e il Festival Barocco di Viterbo. Il programma musicale scelto accompagna una serata articolata in sei diverse coreografie, un incontro tematico e stilistico fra musica barocca e danza, ma anche un’ipotesi di ricerca contenutistica sull’attualità di alcune partiture scelte da quel repertorio musicale.

Sei quadri che si differenziano per tematiche e personaggi, ma prima ancora per la scelta dei relativi brani musicali. Si passa dunque dalla Suite n° 1 in Sol Maggiore per solo violoncello di Johann Sebastian Bach, al Concerto in La Minore opera 3, n° 6 da l’Estro Armonico di Antonio Vivaldi, per chiudere il primo tempo con le Leçons des morts di  Sébastien de Brossard, una partitura cantata per soprano e controtenore. Apre il secondo tempo l’Allemanda, primo movimento della Partita n° 2 in Re Minore per solo violino di Johann Sebastian Bach, seguita dalla Folìa, tema con variazioni in Re Minore per violino e cembalo di Arcangelo Corelli, ed infine il Concerto in Si Minore RV424 per violoncello, archi e cembalo di Antonio Vivaldi, che chiude la serata.

Danza e musica barocca s’incontrano così per dare luogo ad una contaminazione in cui tecnica e dinamica del linguaggio coreografico propongono un’azione dove convivono gestualità con astrazione di linea, azione drammaturgica con uso di spazio e ritmo, lirismo e stilizzazione delle forme con poetica ed emozione dei contenuti. I brani musicali scelti, vere architetture ritmiche e polifoniche, ricche di sfumature armoniche e melodiche, accompagnano partiture coreografiche dense di situazioni e personaggi diversificati. Si alternano così momenti romantici, trasgressivi, o inquietanti, ad altri che lasciano spazio all’amore per il puro formalismo estetico, creando atmosfere surreali in continuo divenire.

 
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