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Excursus - Itinerari di confine

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Multimedia - Itinerari di confine


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Itinerari di confine

 

Clicca per aprire la galleria!

Foto di Carla Metallo

 

 

 

Clicca per aprire la galleria!

Foto di Cristiano Castaldi

Home arrow Produzioni arrow Itinerari di confine


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Itinerari di confine


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produzione 2000

 

realizzata con il sostegno dell'ISR (Istituto Svizzero di Roma), della Fondazione Pro Helvetia, del Cantone di Berna, della Città di Biel-Bienne

 

Idea e progetto artistico: Ricky Bonavita e Theodor Rawyler

Coreografia e Regia: Ricky Bonavita

Musica Originale e Montaggio colonna sonora: Marco Schiavoni

Musiche di repertorio: Guillaume Lekeu

Disegno Luci: Luca Storari

Progetto scenografico: Antonella Bonavita e Maria Paola Pagliari

Allestimento scenografico: Daniele Iraci

Costumi: Marco Calandra

Sartoria: Giuliana Esposito

Interpreti: Sabrina D’Aguanno, Ricky Bonavita, Irene Iovino, Monica Lavezzari, Theodor Rawyler

 

 

la coreografia
I temi del confine e dello sconfinamento sono al centro di questo testo coreografico e registico. L’elaborazione di un linguaggio corporeo che possa esprimere, in chiave stilizzata e non narrativa, il contrasto fra più codici culturali e la convivenza di conflitti interiori che caratterizzano la realtà contemporanea.
Un susseguirsi di quadri, un caleidoscopio di immagini in cui figure solitarie, evocative di tempi e luoghi diversi, si trovano a confronto in un viaggio surreale attraverso il proprio spazio interiore: si creano così incontri e rapporti in cui gli impulsi emozionali generano contesti crudi e irrazionali.
Un itinerario individuale e collettivo che percorre le zone di confine tra il reale e l’immaginario, un microcosmo che vive tra l’apparenza e il mistero, un luogo in cui la trasfigurazione del quotidiano assume una visione surreale e i personaggi si muovono condizionati dalle diverse dinamiche di relazione : tutte possibili prospettive metaforiche per una chiave di lettura di una drammaturgia dove l’esplorazione delle zone di confine e la scoperta della diversità possono costituire un elemento di sottile complicità.


la musica
Nella colonna sonora a cura di Marco Schiavoni si accosta dialetticamente la scelta di brani fine 800 alla creazione di musiche originali scritte parallelamente al testo coreografico. Canto lirico, brani di repertorio, musica minimale, ritmi, sonorità tecno e rumori si uniscono in un quadro sonoro che ripercorre i contenuti tematici della coreografia.
 

 
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